Even closer now, I see that the object is white, nearly a cube, rests on the ground, is about a foot-and-a-half in each dimension. But that’s all I know.
When I’m close enough to touch it, I can feel how rough or smooth it is, whether there are seams or cracks, I can even attempt to lift it to estimate its weight. I now know a lot more than I did several hundred yards ago. But I still don’t know what itis, only what it's description is.
I don’t know what the object is for ... What it's purpose is. I have no idea whether it is natural or manufactured, designed or undesigned, whether the hypothetical manufacturer was fulfilling an intention via the manufacture and placement of the object.

What if I had been approaching the Devil’s Postpile (image above)? Had I not known in advance that this structure is a natural cleavage occurring in the type of rock at that location in Yosemite, I might have inferred a designer and manufacturer and purpose for these objects.
And I would have been wrong. Without prior knowledge from which I could make an inference, I couldn’t have made an accurate judgement on the Postpile, whereas I could infer what the salt lick was. But I could have incorrectly inferred a design to the Postpile, based on my understanding of a salt lick.
I’d still have been wrong.
Without physical evidence of a designer and manufacturer, I cannot be objective or certain as to what the Postpile is.
This is where evidence is essential. And this implies to me that objectivity requires evidence - somewhere in our chain of reason - to be meaningful.
Pure reason can fail me, as it would have at Yosemite.
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